Stuck in the Present
Winn Collier is director of The Eugene Peterson Center for Christian Imagination at Western Theological Seminary.
The following interview revolves around Collier’s highly anticipated book, A Burning in My Bones: The Authorized Biography of Eugene H. Peterson.
Moore: Give us a bit of the backstory of how you came to be the person to write this biography of Eugene Peterson.
Collier: Well, I began reading Eugene over 20 years ago, when a generous church elder, who apparently knew I needed help, handed me a copy of Working the Angles. I was only paragraphs in when this pastoral vision Eugene described detonated in my soul. Eugene described what my soul ached for—but didn’t have any language to describe. I began to write Eugene letters, and remarkably, he wrote back. He became my pastor. In January 2017, after a trip to Montana that I assumed would be my last time to see him, I wrote Eugene and asked him about writing his biography. He hated the idea. But we kept talking, and eventually he warmed to it.
Moore: I have read several books by Peterson. All were terrific. I also read his 2012 book simply called, The Pastor: A Memoir. How is your book different than The Pastor?
Collier: The Pastor is a beautiful memoir (though he also resisted this and only wrote it after years of cajoling), but Eugene really didn’t enjoy talking about himself. So, there were lots of interior places he shied away from and numerous rabbit trails that he never considered interesting enough to follow (“why would anybody be interested in my life,” he’d often say to me). But like a bloodhound, I couldn’t help but follow the scent, sniffing my way to fascinating revelations and numerous insightful dimensions to his life. Also, he wrote his memoir through the lens of being a pastor, but I was far more curious about the fulness of Eugene as a person. And of course, Eugene’s memoir ventured little into the years after he left his church in Bel Air, MD—and Eugene had so many remarkable years after this, some of his best stuff really.
Moore: The physicality or materiality of spirituality captivated Peterson, though I know he did not like the word “spirituality.” Would you describe why physical spaces and material realities so captivated Peterson?
Collier: If we separate the material and physical from our encounter with God, then we’ve amputated a massive part of the gospel. Eugene insisted you could never separate geography from theology. The entire story of Scripture reveals God acting in particular moments, with particular people, in particular places. Jesus was born a Jew, to one mother named Mary and spent his childhood tucked away in one dusty village, surrounded by the troubled history of the tribe of Judah. If we ignore any of this, we misunderstand Jesus. The same way, Eugene was born under the shadow of the Swan Mountain Range, for years inhaling the scent of blood and wax paper in his dad’s butcher shop, feeling his mind and heart swell as he spent Saturdays alone in the rugged vastness of that Big Sky country. To miss any of this would be to miss part of Eugene…and to miss the particular ways that God’s grace surrounded and shaped Eugene. The whole earth—every osprey and sunrise and Appalachian hollow, every painting and carpenter’s angle and every loving kiss—declares the glory of God.
Moore: What do you think are Peterson’s best three books, or at least the ones that have spoken most powerfully to you?
Collier: Let me just stick with the ones that have meant the most to me. Working the Angles: The Shape of Pastoral Integrity names the poison in the pastoral stew better than anything I’ve read, and with precision that is both simple and daring, offers us the cure. Then either Leap Over a Wall or A Long Obedience in the Same Direction (sorry, two here) both offer artful guidance into life with God. As a third, I’d say Christ Plays in Ten Thousand Places, where Eugene sketches a panoramic, breathtaking vision of God’s presence in the world and with us—I don’t think this work has fully detonated in our imagination yet. There’s three (or 4). Ask me on another day, though, and I might give a different answer.
Moore: I think your book strikes a wise balance in not getting into prurient details about personal matters while still describing important details like the hurt Peterson experienced in his relationship with his dad. How did you decide what was appropriate to include and what was not?
Collier: That was tricky. I didn’t want to play into sensationalism or voyeurism. However, nothing would be more dishonoring to Eugene’s way that to stick him on a pedestal. He was human, flawed. For me, this is what makes his story so compelling. To encounter a person so fleshy and human, yet someone being transformed by holy love—that’s beautiful, that’s important for us to encounter. I wanted to include everything necessary to make it true and a well-crafted story but nothing that would merely serve as bait—that would only cheapen the story.
Moore: One disappointment I (and others) have had with Peterson is how he steered clear of what is called “polemics.” I certainly appreciate Peterson’s penchant for being irenic and avoiding nasty fights where pedantic points dominate the debate. It seems that Peterson’s desire to avoid the fleshly fray may have caused him to overreact. What do you think?
Collier: Perhaps due to my own disposition (or maybe overreaction), I tend to get more where Eugene was coming from—and operate mostly the same way myself. For Eugene, it was more about ways and means. It wasn’t at all that Eugene didn’t want to say hard things (he could light some fires, if you were paying attention), but rather Eugene felt that the way we go about polemics typically undermines whatever truth we were trying to get at. Also, he often simply distrusted the framing of the debate, the binaries, the assumptions. It wasn’t so much that Eugene refused to answer the question that was being asked—it was simply that Eugene was asking different questions. A friend once got frustrated with Eugene and accused him of being “coy.” Eugene winced at that criticism, and thought it was to some degree unfair. However, he took it to heart, and in his following book tried to be more direct in a few areas where he had something direct to say (the Christian misuse of power and the church’s idolatrous political alignment). However, I think his friend still found him coy.
Maybe we should handle this now. What nasty fight should we wade into?
Moore: Your well-crafted words honor your subject. You did a terrific job conveying a wide range of emotions from the humorous to the poignant. What are a few things that you hope your readers will take from your book?
Collier: I hope they will encounter Eugene, what it was like to sit with him (both in laughter and silence), to watch for the osprey to swoop into the bay, to hear his raspy voice, to sit at the table after dinner and share a bowl of butter pecan ice cream, to linger with a friend whose life has become a prayer. I hope a few readers will find hope again, just knowing that there are people like Eugene and Jan who’ve lived good lives, faithful lives, artful lives—people who are far from perfect, but people who are true and trustworthy. I hope a few readers will become more curious: what could my life, lived with such receptivity to God’s love and presence, be like? or maybe: what good story is God writing with my own ordinary days and years?
Dugdale brings both her medical background as a doctor and her training in ethics to bear in this wonderful book.
The title may seem a bit odd. How is dying an art? That is a big question and one the book addresses in helpful and poignant detail. Suffice it to say, you will become convinced that there are practices that go way back in history to help us wisely navigate the ravages of death…for our loved ones and ourselves!
One of the biggest helps I found in this book was the counsel about the misuse and overuse of hospitals. Dugdale knows this terrain very well and I found myself realigning some of my thinking accordingly.
Dugdale writes as a Christian. Her comments about the resurrection are insightful and much appreciated. My only disappointment is that the author never addressed the truths found in Heb. 2:14,15: “Therefore, since the children share in flesh and blood, He Himself likewise also partook of the same, so that through death He might destroy the one who has the power of death, that is, the devil, and free those who through fear of death were subject to slavery all their lives.”
A beautiful and practical book…two words that I don’t juxtapose very often!
The New Testament in its World by N.T. Wright and Michael Bird
I typically read 4-6 books at the same time. Being a person of many interests, it fits my personality, and dare I say, my calling.
When one of the books I am reading is long (500 pages plus) and/or technical, I tend to read no more than 5-20 pages at a sitting. It gives me ample time to ponder and scribble my many marginal notes.
One large book (almost 900 pages) I am now finishing is The New Testament in its World by N.T. Wright and Michael Bird. I saw it highly recommended by many I respect so I decided to read it. I am glad that I did. It would fit in the long, but not technical category.
Instead of a traditional book review, let me mention (in no particular order) five things I appreciated about this book:
*Even though this a dual authored book, it is clear and smooth in its presentation.
*It is amply supplied with graphs, timelines, maps, and other visuals that wonderfully augment the text.
*The authors do a terrific job of modeling how history is crucial for the best understanding of the New Testament. My own book, Stuck in the Present, highlights this need.
*Various positions on the different books of the New Testament are offered. The authors are fair and balanced in telling the reader why they hold, or at least lean in one direction.
*There is a good use of both ancient and modern scholarship. This regularly reminds the reader that the Christian faith has a rich history.
Wonderful book about the founding fathers:
Don’t be misled. The liberalism that the author speaks of is the classical variety that undergirds both conservative and progressive liberal thought. The liberalism the author believes has failed is that of Mill and Locke, the latter a big influence on our Founding Fathers.
I heavily annotated my copy of Why Liberalism Failed because it is the kind of book that makes you think in fresh ways about old ideas.
Much ink has already been spilled debating the merits of this book. I won’t go into detail on those since this brief review is designed to say that I find Deneen’s thesis quite compelling. I plan to read more of Mill and Locke so my view could change some, but right now, I find myself aligning with Deneen’s concerns.
I have listened to John Lennox teach on a variety of subjects and none were duds.
This primer to AI helps the reader clarify what is important to understand. It also does a balanced job of showing both the good and bad of AI.
Four quotes from four of my favorite writers:
“To see what is in front of one’s nose needs a constant struggle.”
“Truth is so obscure in these times, and falsehood so established, that, unless we love the truth, we cannot know it.”
“Many of you have already found out and others will find out in the course of their lives that truth eludes us if we do not concentrate with total attention on its pursuit. And even while it eludes us, the illusion still lingers of knowing it and leads to many misunderstandings.”
“Propaganda succeeds precisely to the extent that it provides us with a means of escaping reality.”