HT: My friend, Diana Bridgman
(I once was what you are and what I am you also will be). This memento mori underlines that the painting was intended to serve as a lesson to the viewers. At the simplest level the imagery must have suggested to the 15th-century faithful that, since they all would die, only their faith in the Trinity and Christ’s sacrifice would allow them to overcome their transitory existences.
According to American art historian Mary McCarthy:
The fresco, with its terrible logic, is like a proof in philosophy or mathematics, God the Father, with His unrelenting eyes, being the axiom from which everything else irrevocably flows.
Source: McCarthy, Mary (August 22, 1959). “A City of Stone”. The New Yorker. New York: 48.
Well, maybe not quite, but Dostoevsky was on to something!
HT: Patricia Heaton
I grew up loving to look at beautiful buildings and their decor. Here are some wonderful shots of Russian churches (HT Jesus Creed/Patheos):
“Modern Book Printing” sculpture commemorating its inventor Gutenberg on the occasion of the 2006 World Cup in Germany.
Luther is thicker than Kant, but not as wide. Goethe is the base. Hmmm. But glad to see the littleness of Marx!