First, I must say that this is a beautifully designed book. Reading a physical copy of a book of such beauty does not compare to reading on a Kindle, though this book is available on Kindle.
Both my wife and I love Impressionism. I well remember a recent visit to the Metropolitan Museum of Art in New York City. We have been there on many occasions. We went in different directions for a bit. When we reconnected, I found my wife enthralled before a Pissarro painting. Impressionism has many strange, but wonderful qualities that draw you in.
At the outset Smee clearly lays out his goals with the book: “The story focuses on the events of 1870-71 (famously dubbed ‘The Terrible Year’ by Victor Hugo). It’s premised on the conviction that we cannot see Impressionism clearly without grasping the impact of the tumultuous time on the movement’s leading artists.”
Smee has done yeomen’s work in giving a detailed and fascinating account of worn-torn France and the emergence of Impressionism.
For both history and art lovers, this is a terrific read!
