HT: JOHN FEA
I read things on a regular basis that trumpet the glories of the Stoic way of life. It got me thinking about three options when it comes to death:
SECULAR folks think death is something we should not think of. We need to get distracted with lesser things. Ernest Becker talked about these things in his Pulitzer winning book, The Denial of Death.
STOICS say we ought to face death bravely as it is so “natural.” Everyone has to experience it. Hunker down and face the music. Stop complaining you weak-willed soul!
SCRIPTURE tells us that death is our final enemy (I Cor. 15:26). Satan uses death to terrorize us (Heb. 2:14,15). Christ says he has abolished death (II Tim. 1:10). We long for eternity (Ecc. 3:11). Death is not the way it was suppose to be. We can face it (contra the SECULARIST), but we don’t face it in our own strength (contra the STOIC).
No longer any shame…
Remember that you are moral…
Here is what Puritan Richard Baxter said:
“I preached as never sure to preach again,
and as a dying man to dying men.”
“May He support us all the day long, ‘til the shades lengthen and the evening comes, and the busy world is hushed, and the fever of life is over, and our work is done. Then in His mercy may He give us a safe lodging, and a holy rest, and peace at last.”
John Henry Newman
I was speaking about expressing proper emotions during my sermon last Sunday. This classic sketch was part of my introduction. I should add that this was one of those very rare times that I used a video clip to introduce my sermon. It was simply too apropos to leave out!
“The culture pressures us to be spiritually eclectic.”
(David Wells, Lausanne Conference, 2010)
Wow! HT: TONY REINKE
(I once was what you are and what I am you also will be). This memento mori underlines that the painting was intended to serve as a lesson to the viewers. At the simplest level the imagery must have suggested to the 15th-century faithful that, since they all would die, only their faith in the Trinity and Christ’s sacrifice would allow them to overcome their transitory existences.
According to American art historian Mary McCarthy:
The fresco, with its terrible logic, is like a proof in philosophy or mathematics, God the Father, with His unrelenting eyes, being the axiom from which everything else irrevocably flows.
Source: McCarthy, Mary (August 22, 1959). “A City of Stone”. The New Yorker. New York: 48.