{"id":9131,"date":"2021-05-03T16:16:44","date_gmt":"2021-05-03T21:16:44","guid":{"rendered":"http:\/\/www.twocities.org\/?p=9131"},"modified":"2021-05-03T16:25:31","modified_gmt":"2021-05-03T21:25:31","slug":"interview-with-eugene-petersons-biographer","status":"publish","type":"post","link":"https:\/\/www.twocities.org\/?p=9131","title":{"rendered":"INTERVIEW WITH EUGENE PETERSON&#8217;S BIOGRAPHER"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"A Burning in My Bones: The Authorized Biography of Eugene H. Peterson, Translator of The Message\" type=\"text\/html\" width=\"625\" height=\"550\" frameborder=\"0\" allowfullscreen allow=\"clipboard-write\" style=\"max-width:100%\" src=\"https:\/\/read.amazon.com\/kp\/card?asin=B083RZKZSB\"><\/iframe><\/p>\n<p><strong>Winn Collier is director of The Eugene Peterson Center for Christian Imagination at Western Theological Seminary.<\/strong><\/p>\n<p><strong>The following interview revolves around Collier\u2019s highly anticipated book, <em>A Burning in My Bones: The Authorized Biography of Eugene H. Peterson<\/em>.<\/strong><\/p>\n<p><strong>Moore: Give us a bit of the backstory of how you came to be the person to write this biography of Eugene Peterson.<\/strong><\/p>\n<p><strong>Collier: Well, I began reading Eugene over 20 years ago, when a generous church elder, who apparently knew I needed help, handed me a copy of <em>Working the Angles<\/em>. I was only paragraphs in when this pastoral vision Eugene described detonated in my soul. Eugene described what my soul ached for\u2014but didn\u2019t have any language to describe. I began to write Eugene letters, and remarkably, he wrote back. He became my pastor. In January 2017, after a trip to Montana that I assumed would be my last time to see him, I wrote Eugene and asked him about writing his biography. He hated the idea. But we kept talking, and eventually he warmed to it.\u00a0 \u00a0<\/strong><\/p>\n<p><strong>Moore: I have read several books by Peterson. All were terrific. I also read his 2012 book simply called, <em>The Pastor: A Memoir<\/em>. How is your book different than <em>The Pastor<\/em>?<\/strong><\/p>\n<p><strong>Collier: <em>The Pastor<\/em> is a beautiful memoir (though he also resisted this and only wrote it after years of cajoling), but Eugene really didn\u2019t enjoy talking about himself. So, there were lots of interior places he shied away from and numerous rabbit trails that he never considered interesting enough to follow (\u201cwhy would anybody be interested in my life,\u201d he\u2019d often say to me). But like a bloodhound, I couldn\u2019t help but follow the scent, sniffing my way to fascinating revelations and numerous insightful dimensions to his life. Also, he wrote his memoir through the lens of being a <em>pastor<\/em>, but I was far more curious about the fulness of Eugene as a <em>person<\/em>. And of course, Eugene\u2019s memoir ventured little into the years after he left his church in Bel Air, MD\u2014and Eugene had so many remarkable years after this, some of his best stuff really.<\/strong><\/p>\n<p><strong>Moore:<\/strong> <strong>The physicality or materiality of spirituality captivated Peterson, though I know he did not like the word \u201cspirituality.\u201d Would you describe why physical spaces and material realities so captivated Peterson?<\/strong><\/p>\n<p><strong>Collier: If we separate the material and physical from our encounter with God, then we\u2019ve amputated a massive part of the gospel. Eugene insisted you could never separate geography from theology. The entire story of Scripture reveals God acting in particular moments, with particular people, in particular places. Jesus was born a Jew, to one mother named Mary and spent his childhood tucked away in one dusty village, surrounded by the troubled history of the tribe of Judah. If we ignore any of this, we misunderstand Jesus. The same way, Eugene was born under the shadow of the Swan Mountain Range, for years inhaling the scent of blood and wax paper in his dad\u2019s butcher shop, feeling his mind and heart swell as he spent Saturdays alone in the rugged vastness of that Big Sky country. To miss any of this would be to miss part of Eugene\u2026and to miss the particular ways that God\u2019s grace surrounded and shaped Eugene. The whole earth\u2014every osprey and sunrise and Appalachian hollow, every painting and carpenter\u2019s angle and every loving kiss\u2014declares the glory of God.<\/strong><\/p>\n<p><strong>Moore:<\/strong> <strong>What do you think are Peterson\u2019s best three books, or at least the ones that have spoken most powerfully to you?<\/strong><\/p>\n<p><strong>Collier: Let me just stick with the ones that have meant the most to me. <em>Working the Angles: The Shape of Pastoral Integrity<\/em> names the poison in the pastoral stew better than anything I\u2019ve read, and with precision that is both simple and daring, offers us the cure. Then either <em>Leap Over a Wall<\/em> or <em>A Long Obedience in the Same Direction<\/em> (sorry, two here) both offer artful guidance into life with God. As a third, I\u2019d say <em>Christ Plays in Ten Thousand Places<\/em>, where Eugene sketches a panoramic, breathtaking vision of God\u2019s presence in the world and with us\u2014I don\u2019t think this work has fully detonated in our imagination yet. There\u2019s three (or 4). Ask me on another day, though, and I might give a different answer.<\/strong><\/p>\n<p><strong>Moore:<\/strong> <strong>I think your book strikes a wise balance in not getting into prurient details about personal matters while still describing important details like the hurt Peterson experienced in his relationship with his dad. How did you decide what was appropriate to include and what was not?<\/strong><\/p>\n<p><strong>Collier: That was tricky. I didn\u2019t want to play into sensationalism or voyeurism. However, nothing would be more dishonoring to Eugene\u2019s way that to stick him on a pedestal. He was human, flawed. For me, this is what makes his story so compelling. To encounter a person so fleshy and human, yet someone being transformed by holy love\u2014that\u2019s beautiful, that\u2019s important for us to encounter. I wanted to include everything necessary to make it true and a well-crafted story but nothing that would merely serve as bait\u2014that would only cheapen the story.<\/strong><\/p>\n<p><strong>Moore: One disappointment I (and others) have had with Peterson is how he steered clear of what is called \u201cpolemics.\u201d I certainly appreciate Peterson\u2019s penchant for being irenic and avoiding nasty fights where pedantic points dominate the debate. It seems that Peterson\u2019s desire to avoid the fleshly fray may have caused him to overreact. What do you think?<\/strong><\/p>\n<p><strong>Collier: Perhaps due to my own disposition (or maybe <em>overreaction<\/em>), I tend to get more where Eugene was coming from\u2014and operate mostly the same way myself. For Eugene, it was more about ways and means. It wasn\u2019t at all that Eugene didn\u2019t want to say hard things (he could light some fires, if you were paying attention), but rather Eugene felt that the <em>way<\/em> we go about polemics typically undermines whatever truth we were trying to get at. Also, he often simply distrusted the framing of the debate, the binaries, the assumptions. It wasn\u2019t so much that Eugene refused to answer the question that was being asked\u2014it was simply that Eugene was asking different questions. A friend once got frustrated with Eugene and accused him of being \u201ccoy.\u201d Eugene winced at that criticism, and thought it was to some degree unfair. However, he took it to heart, and in his following book tried to be more direct in a few areas where he had something direct to say (the Christian misuse of power and the church\u2019s idolatrous political alignment). However, I think his friend still found him coy.\u00a0\u00a0<\/strong><\/p>\n<p><strong>Maybe we should handle this now. What nasty fight should we wade into?<\/strong><\/p>\n<p><strong>Moore: Your well-crafted words honor your subject. You did a terrific job conveying a wide range of emotions from the humorous to the poignant. What are a few things that you hope your readers will take from your book?<\/strong><\/p>\n<p><strong>Collier: I hope they will encounter Eugene, what it was like to sit with him (both in laughter and silence), to watch for the osprey to swoop into the bay, to hear his raspy voice, to sit at the table after dinner and share a bowl of butter pecan ice cream, to linger with a friend whose life has become a prayer. I hope a few readers will find hope again, just knowing that there are people like Eugene and Jan who\u2019ve lived good lives, faithful lives, artful lives\u2014people who are far from perfect, but people who are true and trustworthy. I hope a few readers will become more curious: <em>what could my life, lived with such receptivity to God\u2019s love and presence, be like?<\/em> or maybe: <em>what good story is God writing with my own ordinary days and years?<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Winn Collier is director of The Eugene Peterson Center for Christian Imagination at Western Theological Seminary. The following interview revolves around Collier\u2019s highly anticipated book, A Burning in My Bones: The Authorized Biography of Eugene H. Peterson. Moore: Give us a bit of the backstory of how you came to be the person to write [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[43,71,22,20,101,11],"tags":[],"class_list":["post-9131","post","type-post","status-publish","format-standard","hentry","category-christianity","category-interview","category-pastor","category-preaching","category-theology","category-writing"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.twocities.org\/index.php?rest_route=\/wp\/v2\/posts\/9131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.twocities.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.twocities.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.twocities.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.twocities.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9131"}],"version-history":[{"count":2,"href":"https:\/\/www.twocities.org\/index.php?rest_route=\/wp\/v2\/posts\/9131\/revisions"}],"predecessor-version":[{"id":9133,"href":"https:\/\/www.twocities.org\/index.php?rest_route=\/wp\/v2\/posts\/9131\/revisions\/9133"}],"wp:attachment":[{"href":"https:\/\/www.twocities.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.twocities.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.twocities.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}